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October 20 2017

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October 09 2017

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michaelallanleonard:

Nyota Uhura by Brian Stelfreeze

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depressionarmy:

Depression Army was here.

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mevalemaiz:

“Colón no descubrió América, la invadió.”

Midwest Mexican American History: Native American and Chicano students protest the 500th anniversary of Columbus landing in the Americas. Oct 12 1994 at University of Wisconsin-Madison.

October 05 2017

I fell in love with quotes at a very young age. I guess it was interesting to me that someone else is able to unknowingly express my thoughts when I’m at a loss for words; it has me wasting hours on the simple thought that our minds must have soulmates too.
vigi-la-veris
(via wnq-writers)
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September 24 2017

a-dirkjake-shipper:

💖💜💙💖💜💙💖💜💙💖💜💙💖💜💙

Happy Bi Visibility Day!!

💖💜💙💖💜💙💖💜💙💖💜💙💖💜💙

September 20 2017

Animal Tenderness

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aconnormanning:

so i have a cat now

August 28 2017

For many of these women, the reading experience begins from a place of seething rage. Take Sara Marcus’ initial impression of Jack Kerouac: “I remember putting On the Road down the first time a woman was mentioned. I was just like: ‘Fuck. You.’ I was probably 15 or 16. And over the coming years I realized that it was this canonical work, so I tried to return to it, but every time I was just like, ‘Fuck you.’” Tortorici had a similarly visceral reaction to Charles Bukowski: “I will never forget reading Bukowski’s Post Office and feeling so horrible, the way that the narrator describes the thickness of ugly women’s legs. I think it was the first time I felt like a book that I was trying to identify with rejected me. Though I did absorb it, and of course it made me hate my body or whatever.” Emily Witt turned to masculine texts to access a sexual language that was absent from books about women, but found herself turned off by their take: “many of the great classic coming-of-age novels about the female experience don’t openly discuss sex,” she says in No Regrets. “I read the ones by men instead, until I was like, ‘I cannot read another passage about masturbation. I can’t. It was like a pile of Kleenex.”

This isn’t just about the books. When young women read the hyper-masculine literary canon—what Emily Gould calls the “midcentury misogynists,” staffed with the likes of Roth, Mailer, and Miller—their discomfort is punctuated by the knowledge that their male peers are reading these books, identifying with them, and acting out their perspectives and narratives. These writers are celebrated by the society that we live in, even the one who stabbed his wife. In No Regrets, Elif Bautman talks about reading Henry Miller for the first time because she had a “serious crush” on a guy who said his were “the best books ever,” and that guy’s real-life recommendation exacerbated her distaste for the fictional. When she read Miller, “I felt so alienated by the books, and then thinking about this guy, and it was so hot and summertime … I just wanted to kill myself. … He compared women to soup.”

In No Regrets, women writers talk about what it was like to read literature’s “midcentury misogynists.” (via becauseiamawoman)
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holycheesecakefarts:

Enotiha Ha

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holycheesecakefarts:

Kristy Gordon

August 24 2017

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August 23 2017

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August 22 2017

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garnetsandaquarians:

lindsaaayyy:

Possible bulletin board quote..?

Love this!

August 18 2017

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chuwenjie:

i said “i’m not something to butter up and taste when you get bored”

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